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Tir na Nua
January 18th, 2010 by L Stephen O

Tir na Nua

Primarily Tir na Nua is the setting for my Epic Celtic Fantasy.  This makes it your home for development ideas, short stories, and information about the world of Tir na Nua created ( or rather in the process of creation) by L. Stephen O’Neill.

But What is Tir na Nua Really?

Tir na Nua, the New Land, is a world far from the Earth we know.  Three stars light it, three moons circle it, and there are three worlds associated with it.  Tir na Nua might look like Earth, there are trees and rivers and seas, there are beasts, and monsters, and men, AND these all live together in varying degrees of harmony. 

Yet there are differences.  The South is warmed by the sullen glow of a brown dwarf star, Ember, that the planet of Tir na Nua cartwheels around.  Much of the weather of this world of necessity comes from that most important and close relationship. 

The north draws rain from the South, but it never sees Ember’s light save painted on the world’s satellites.  There is ghostly blue light that shines from blue/white dwarf, Spark, that dances closest to Ember, but the world’s most Earth-like light comes from distant Sol na Nua, it marks the day, sharing it in the North with Bright and brightening the South as well.

Tir na Nua is a world that is marked by cataclysm.  The violent genesis of the planet is painted on its moons as well.  Nearest is the Wanderer, a blasted lump that hurtles around Tir na Nua, racing across the sky.  The Stranger is next nearest, but it is not very reflective, making a ghostly shape in the night sky.  Farthest of Tir na Nua’s moons is Bright, truest reflector of the three suns of the world.

I have several stories, likely novel length, that I am in the process of writing.  Most if not all are set in the world of Tir na Nua.  This new world is a world apart from the Earth that we know and has been, there are names and situations that may seem familiar, but though they echo the world we know they are not from that world at all.

The People of Tir na Nua

Human habitation has diffused from the center of the Gaellic Plain, over the Western Mountains, across the seas, to the South and the East until it has met its opposite in isolated islands like the volcanic island group of the Losterlies.  Man exists on the top of the world, on the ice sheet above the Iron Mountains of the Rus and man also inhabits the misty hot forests of the South.  He lives on and in the mountains and he exists and even thrives on the islands of the seas.

Here are some of those peoples:

The Gaels of the Central Plain .  (A Story of these folk “The Red Son of Concubar“)

The Monsters who ravaged the Plain, The Gobli.

After the great hordes sweep the Gaelish Plain, the Norfolk, the people of Oatey Moss and of Jella, still live where the Great Ice Sheet ended and now on the Plains to the South the horse folk, the Scythians, rule unchallenged. (CPSL to continue these stories.)

In the Far North, The Rus and the Ice Folk.  For a bit about Ice Folk culture read an Anuniaq Tale.

In the Inner Sea, South of Sliebe na Gael, The Eirelanders.  In the scattered islands of the inner sea, the Fae Islanders.

East over the Saffron and driven down into the great isthmus and the mountains there called Scotia.

Above Scotia is a land of Slave camps and warring city states often called the Disputed Lands.  Before the Hordes of Gobli and Darklings ravaged it the land was controlled by Balor and his Slave Raiders who became the Fomor.

North of the Disputed Lands and East of the Norfolk are the Cold Forests of the Darklings.  The Sinoese live above them on the pinnacles of hard rock that stand after the lighter ash of that volcanic lowland was washed away and overgrown with rainforest.

The Great Mountains to the West of the Great Gaellic Plain are ruled by  the Lokians.  Some call these folk Dwarfs, they are dark and stocky in general, they are miners and workers of metal who live in the continental ridge that divides all the east from Umircea.

Across the Mountains to the Western Seas is Umircea, but in the North of that land is the Ribbon Wood, from whence come the Ui Uilsen, the Ribbonwood Elves.

What is the Purpose of Tir Na Nua

On lstephenoneill.com I plan to gather research material, scene drafts, character development studies, back stories and perhaps short stories that contribute to each novel or at least flesh out this new land, Tir na Nua.

I want to write, fantasy stories, sword and sorcery novels, epic fantasy, you know, the whole lot, and Tir na Nua makes this possible for me.  But having the place to write, having stories to tell, wanting to do it, none of these things mean that I can do it.  I can put it out there, but frankly, I was never that good a writer, so says my report cards. (Sad to say I thought I did much better in English than I actually did. This was a bit of an unwelcome surprise. Still, I have these stories. . .) I guess my point is that I really need to practice.  I need to try to write and see if I can do a good job.  Perhaps most of all I need to get faster.

The reality of my life is that there isn’t much time to develop. . .    . . . or write.  So I’m going to jump on in and do it.  As such, these pages are intentionally rough (not because I’m trying to make them bad, I’m trying the best I can as quickly as I can) so that I get the ideas out of my head and onto the page.  I think I’ve mentioned that I think of these pages as something of a writer’s notepad.

SO, What’s in the Works?

I’m trying to write an online novel right here in front of you, the reader.  Firstly I plan to write a first draft, and I’m not being very picky.  I can’t, I’m trying to do it by my birthday.  Wish me luck.  You can follow my progress here at my progress page for the novel: The Abbott and the Djinn.

I’ve started a story that involves one of Dana Bailey’s children, Lugh, and a young woman of the Norfolk, Oatey Moss.  The third main theme of this story is giants.  Start to read Child of Moss HERE.

Currently I am focusing on a novel set in a island archipelago, the Losterlies, that is effectively on the opposite side of the world from where humanity was first established and from where it diffused. The working title for this novel is “The Man Who Forgot Himself.”

On the Losterlies are a people known as wanderers or gypsies who are descendants of a particular Inuit by the name of Anuniaq.  “Anuniaq Goes to Sea… …Again” is a tale from his life as is Anuniaq and the Storm Tossed Sea.

People groups converge on the Losterlies and one of the cultures that has great impact are the Inuit peoples, known by the Rus as the Icefolk,  who leave with the Russians and are later enslaved by them.  I want to develop a tale about one of these people, a whale talker, who’s people are annihilated by the iron Rus and who in turn gets revenge and then must rebuild a life afterward.  The working title for this novel is “The Poet and the Ice Princess”.

I have a few stories developing in an area of the world, Northern Umircea, that involves or evolved the Ribbon Wood Elves or UiUilsen as they are known. “the Lost Prince”, “Sasha and Faolan”, and a trilogy of stories, “the UiUilsen Cycle” will develop and expand both the peoples of this part of Umircea, the land beyond the Western Mountains of the Gaelish Central Plain.

I love the movie “a Knights Tale” and would like to write my take on the idea of nobility. I also like the idea of warfare as sport presented in that story (I’m an American Football fan) and think it has application, especially in the gaming community of today, but also to the Celtic lifestyle or my perception of what the Gaelic people were about.  I want to set my knights tale in Umircea, but I may move the setting to the cities of the Disputed Lands though nobility is much less a factor in that wild land.

An important part of the development of my fantasy world are figures who make a huge impact by virtue of their many talents and even more because of their longevity. The children of Dana Bailey are intended by Dana herself to be a Celtic Pantheon. These genetically altered super Celts make contributions both by virtue of their leadership, and also in just being a tie and a memory to a technological past that is being lost and replaced by new progress informed by the past but not dependant on it.  Among the characters stories will touch on: Balor, originally Llyr, who was first born and most willing to serve Dana Baily’s purposes, but came to work hardest against those goals as the leader of the Fomorians; Lugh of the long reach, a wanderer and a philanderer at first, godlike in his self-absorption, his many talents are at last turned to good when he learns responsibility; Bridget, maternal in truth and in temperament, she must learn how to be good at her role; Epona, but more her most impressive daughter, Scythia, who’s leadership gives the freedom loving horse folk of the Gaellic plain a name, an identity, and a mother; Loki the miner and technical genius who’s folk live under the mountains, and many more.

In the Disputed Lands life is cheap.  Warlords carve out kingdoms among the fortified city states of the broken and war torn landscape in a section of the northern continent east of the Safron River that drains much of the Great Gaellic plain, north of Scotia and the fortified wall that splits off the Scots Highlands from the rest, west of the Great Sea that has become dominated by the Fomor, and South of the lands of the Sinoese and most notably the Darklings.  Several stories will be set or will touch this volitile region.  Among them are “Icarus Flight”, “Kitsuniko”, “Led from the Dark or the Blind Deaf Mute and the Idiot” (a story about overcoming disability, frustrated revenge, and simple peace), “Fitch in His Majesties Service”

35 Responses  
The Red Son of Concubar | Free Celtic Fiction writes:
April 12th, 2010 at 11:42 pm

[...] Tir na Nua [...]

the Coming of CuRuada the Red Son of Concubar | Free Celtic Fiction writes:
April 15th, 2010 at 11:49 pm

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September 23rd, 2010 at 7:57 am

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September 24th, 2010 at 6:57 am

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Kitsuniko writes:
September 27th, 2010 at 12:13 pm

Hi ! What is “kitsuniko” in your text ?
It’s my nickname and artist aka, give by japanese friends, and i never see it in other media. ^^

L Stephen O writes:
September 27th, 2010 at 2:14 pm

You’d probably be better off asking them, but I think a rough translation of that name would be “little fox.” I believe that Kitsune = Fox and appending “iko” seems to me to be a diminutive form of whatever it modifys, thus Kisuniko = little fox.

As it relates to my fiction there is an element of Asian culture that grows up in a certain area of the world of Tir na Nua. They are the descendants of several asian lines, but are primarily Japanese. One principal character is a female assassin that I name Kitsuniko.

Though the Kitsuniko stories I’ve imagined to this point are being reserved for possible novelization I might present a few in the future, perhaps introducing her as a periferal character, in another story.

At present I’m trying to focus on Free Celtic Fiction. The purpose of the other cultures is to present contrast and comparison to Gaellic culture so that I expect to introduce more and more of them including the Sinoese as I call the people that Kitsuniko lives among.

Does any of that answer your questions, stated and unstated?

LSO

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Bob proctor books writes:
October 6th, 2010 at 9:12 pm

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Kitsuniko writes:
October 25th, 2010 at 11:12 am

I’m graphic designer and I was surprised to find my author name. Thanks for explanation.

L Stephen O writes:
October 25th, 2010 at 2:25 pm

I looked at your site Kitsuniko. I liked it. The designs I saw were very clean and elegant. Very Japanese.

I hope to bring the Kitsuniko character into my online novel at some point. That is to say that the journey that Smoke/Iamerge and Gospels will take, at least for Iamerge, will reach as far as the lands of the Sinoese.

I can’t even imagine when the Abbott and the Djinn will reach the mountains, much less travel across the Gaellic Plains to the Disputed Lands, but that is the plan.

If at some point I have the opportunity to develop my Novelle “Icarus Flight” or some story or stories involving Kitsuniko I might contact you for some of your excellent design work.

LSO

Kitsuniko writes:
October 25th, 2010 at 3:09 pm

Thank you very much for your kindness towards my work.

I put my site up to date there is little so I do not know if you saw the old or the current version (it is still full of flaws, I gradually corrected).

In a region of Normandy, born in Britain, I appreciate your work (not only in Japan that I draw my deepest roots), so this will be a real pleasure to answer your call if ever a days you need my services.

Bien à vous,

Kitsuniko

L Stephen O writes:
October 25th, 2010 at 5:53 pm

I just checked back and what I saw was the earlier version. This I like even better.

What is the symbol that you have in red? Is it Kangee (sp?) Japanese writing?

I appreciate that you can converse in English, I can’t claim any fluency in French. I’m embarrassed by the look of my site. I really intend it as a writer’s notebook for developing my Tir na Nua ideas and as practice for writing but at some point I’d like to bring my abilities in art to bear as well. To this point there is really nothing graphically even in the works. I do have some sketches that I hope to integrate but I can’t seem to find the time.

Anyway, thanks for the encouraging words.

LSO

Kitsuniko writes:
October 26th, 2010 at 2:30 am

The red symbol of the logo is simply a “K”, directed to the graphic palette (the record is simple but I can’t count the number of blanks). It is also three brush strokes, three cuts of a blade that cuts right into the habits. Say that this red symbol could be another form of triskel (though I admit, the movement does not seem the same).

The idea was to get something evoking my Japanese ties while in reality a Roman letter, but especially to have on site a handmade item and not drawn with a mouse or keyboard.

I am walking on your site with pleasure and indeed even if there are no illustrations, I do not think it’s embarrassing. I am a graphic designer, of course, but that’s not why I think a site should be flashing everywhere. Your colors are beautiful, we mark carefree and what counts is your texts.

Unfortunately, although I read fairly good English, I write with difficulty and Goggle Trad. is a friend for the occasion. It’s a shame because I have missed many subtleties of your text because of it …

I continue my walk in your pages, for my greatest pleasure.

Bien à vous,

Kitsuniko

Niall Noigiallach | Free Celtic Fiction writes:
October 26th, 2010 at 2:26 pm

[...] Tir na Nua [...]

L Stephen O writes:
October 26th, 2010 at 10:28 pm

Beyond the K, which I liked very much, I appreciated your window to the world combined with the Japanese evocative items. Now I couldn’t say anything about the effectiveness of the graphics drawing a reader along, I don’t read French, but I did feel that the top graphic drew me to the introductory info at the top and then the very evocative “window to the world” etc. helped draw me down the page.

Looking at my own Google analytics statistics I think I have trouble holding my audiences attention and I’m failing to draw them deeper into other parts of the site. I think that graphics might assist in getting initial attention and then, as with your midpage animation, pull them farther along.

Good work.

LSO

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